THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his feet on the ground. He can be ashamed to parade his goodness. He works by using ingenuity instead of divinity. Chaplin’s untidy appreciate lifetime suggests he felt he deserved whomever he wished; Keaton in personal everyday living appears to are already melancholic thanks to alcoholism, but an honest adequate

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